Swing Out Syndicate (S.O.S. #3)

Yes, I know, I’ve been away. Onto the good stuff now, shall we?

This day in lindy news, local and otherwise…

  1. Vintage is the way to go in Music City.

Photograph via Jantu Moore Photos. The ever-fabulous NSDF Community Coordinator Camille Maynard in a tailored dress pictured here with equally awesome NSDF President, Eric Stevens. 

Ladies and Gents, this is your JAM and peanut butter if you love tailored looks. Every time I walk into Jump Session, I am beyond impressed by the primped and polished folks in every corner. My host for Nevermore, a musician himself, actually wandered into 5 Spot simply because of the great music and “nicely dressed young people.” It’s such a treat to get ready to see not just epic dancing, but well-engineered outfits. I learn how to look good from all the great dancers here, especially in terms of where to shop (apparently, the Goodwill at Rivergate in Madison?). I have to thank the amazing Sarah Kobus for her generosity and advice about vintage clothing. The lady opened her wardrobe to this near-destitute grad student. Thank you, beautiful Sarah!

2. Steppin’

We talk about this in Nashville Jitterbugs, but do you know your lindy history? According to Yehoodi via KQED Arts’ Ron Brown, “Steppin’ is a partner dance, a social dance. When you go back to the Lindy Hop, you go back to the Jitterbug—you will see the evolution of Steppin’ in there.” Check out the video linked here. There’s also a killer Chicago Style as well, for Chi-town natives. I think it would be fun to re-incorporate and re-introduce some styles from steppin’ into my solo jazz repertoire. What do you think?


Image via Gif Soup.

3. Yehoodi drew attention to Herrang’s refusal to adopt a Code of Conduct. As the DNS server at Yehoodi is currently down, here is Herrang organizers’ take on the issue. I’ll expand on my thoughts later on “safe spaces,” but what do you think about the decision? Are the documents for Codes of Conduct necessary? Are they used/abused?


That’s all folks! Hope it’ll tide you over until your next swing dance. 😉

❤ & Lindy,





Hong Kong Swing Fest Review

Hey Lindy Friends,

Image via romainjl at DeviantArt.

Image via romainjl at DeviantArt.

Just wanted you to have a quick update on the event I was looking forward to since two years ago, when I moved away from Hong Kong. I intend to be as comprehensive as possible, as the event definitely had its highs and lows. Of course, you know I’m never one to just give the highlights reel. Unlike other posts, this will be a bit less pic heavy and more focused on content. If that’s not your cup of tea, feel free to wait for an update later.

Organization of Event: 3.5/5

As a semi-large, cross-country event, HKSF does a relatively decent job in welcoming visitors. However, it’s interesting attending this event as a lesser known foreign guest. In the U.S., I would say I have my swing dance friends, as many of you. In Asia, it’s a bit more lonely in a smaller circle of close ones within the host scene of Taipei. That being said, I do think HKSF could do with some less curt responses.

Take this encounter, for example. As a reference, the main e-mail we are responding to reads, “Thanks for booking. Your details are below. Please quote the Booking ID in any correspondence.” This was the only e-mail received, although traditionally a confirmation e-mail is sent. In response to my inquiries, this is what I got (names covered for privacy reasons).


Albeit a bit short, but reasonable. Then, take into account the response below.


The response speaks for itself. Short without excitement or common courtesy, in direct contrast to many previous and similar communications with other swing scenes. To be honest, I was quite taken aback by the level of curtness expressed by the organization here.

Outside of this hiccup, the rest of the event was organized pretty well. Lots of sponsors, lots of excellent food, GREAT swag bag.

Auditions & Competitions: 4/5

The marvelous finalists  Pamela (left) and Jingyi (right) alongside Sam, owner of Charlie Stone. Photograph courtesy of Gaspar Lin.

The marvelous finalists Pamela (left) and Jingyi (right) alongside Sam, owner of Charlie Stone. Photograph courtesy of Gaspar Lin.

I actually participated in the prelims for the Battle. I pretty much knew I wouldn’t make finals, but it was so much fun dancing with all the enthusiastic dancers in the scene! (Note to all the ladies out there: pin your outfits down! I had these suspenders on my skirt which kept falling off. What a nuisance.) The finals were amazing. Way to represent, Singapore dancers! All of the competitors did fabulously.

I thought HK Swings did quite well in conducting tap in dances. WOW. This was perfect. Dancers who didn’t get tapped in like myself still got to dance three heats or more in front of an audience. It was fun, to say the least. I can say nothing but well done.

Can I say, there was one slight hiccup though? I danced with the same dancer twice. My partner brought this up, but was quickly shot down. Actually, it might have been better to rotate in terms of better randomization. The reasoning behind not rotating was actually quite confusing. “It’s random, so just stick with it.” What? It’s a JnJ, we’re supposed to be improving though…hmm…

Now, auditions. I want to say, I’m fine being intermediate, first off the bat. People seem to think we’re always disgruntled at a medium level, but in this case, I was fine. Except, auditions lasted approximately 5 minutes. I danced with two people. Oh, did I mention it was tap out? Lovely, my favorite. Did I also mention that over 30 people made advanced? Or that intermediate was so follow heavy that it was nearly a 1:3 lead:follower ratio? Or that the organization let a few local dancers re-audition without informing the entire group? Interesting, to say the least. Suffice to say, not the most well-run scenario at auditions. Competitions were near perfection though.

Classes: 4/5

I’ve only got my own experience to go off of, so this is in direct relation to intermediate classes. Can I say, as a teacher, lesson plans are a must? I actually witnessed several improved classes. I’m not saying this is the wrong way to go, but it’s certainly a bit more difficult for teachers and students. Students are stressed because the teachers seem to want them to lead the class with their experience. Teachers are frustrated with the students for not showcasing their entire lindy knowledge or understanding the concept of an improved class. It’s for our own good, right? We should just automatically know how to pick up the techniques to move from good to great. It’s that “feeling.”

Anyways, outside of that minor frustrating issue, classes were fantastic. I mean, all star cast right? Can’t get any better than that. It was a great review of basics, grooving and AMAZING rhythm variations. I loved the rhythm variations in all of the classes. Absolutely marvelous.

A note on levels. I was in a wide bracket for intermediates, ranging from 6 months to over 3 years. This is too large of a range to provide honed critique or advice, or to properly observe technique. To say the least, I was very, very upset by this. I wasn’t alone. Several of my friends ditched classes to go explore HK. I can’t say that I blame them.

Venues: 4/5

Great wooden floors most nights, especially at Dansinn Heavenly on Des Vouex Road. I mean, look at that floor space. Add a live band, and it was a dream.

Image via Dansinn Heavenly.

Now, I know both the beginner and advanced levels had fabulous floors. However, guess what intermediate was dancing on? Take a look.

Talk about dangerous. Luckily, some savvy dancers and instructors brought baby powder, but otherwise, I wrecked two pairs of Keds on that floor. Yes, the floor was “springy” and “light” as some described, but it was far from a good floor. Many of us had trouble with spins, even with decent leather or suede soles, and ended up dancing in our socks.

Ambience: 4/5

There was a proposal. THERE WAS A PROPOSAL. Hard to top that one, right? Crystal Lee helped two of her fellow dancers get ready on the dance floor to get married. One of the most beautiful jams I have ever witnessed, to be sure.

Overall, there was a spirit of fun and excitement at this event. I got to catch up with new and familiar dancers alike (Hello, Sam from Charlie Stone and Lillian in HK!) However, I was a bit saddened by in-group mentality expressed. Some stayed within the confines of comfort circles, whether due to personal insecurities or…disdain? I don’t know, but I got that vibe from a few.

Oh my word, can I just say something to all the leads? Please, please, please, learn your floorcraft. On such a crowded floor, it pays to not get bowled over 5 times out of 10.

I also have to talk about this incident.


I rolled my ankle at Sunday’s event, ending with a bang you could say. I happened to be happily solo jazzing when I slipped and fell. Common dancer accident, you might say. I just want to ask, how would you feel if this happened at an event and no one did anything when they saw you collapse on the dance floor? I ended up limping off by myself. To be honest, I cried a lot that night and not from the physical pain. It was more the pain of feeling completely invisible on the floor to the point of safety hazard. I’m alright with anonymity, just not to the point where I have to deal with a severe sprain on my own.

HKSF was a decent and quite well-stocked event. I don’t know that I would ever go back though. I’m getting this strange vibe from many events abroad that are putting me off the lindy scene…perhaps for a while. I think my two sprains (yes, my other one is messed up too) are an omen, good or bad. Perhaps it’s time to take a step away from the dancing and consider what kind of person I’m becoming. I’m not sure yet. I can only say, HKSF was a turning point in how I view my dancing.

Hoping for more happy feet.

Best & Blessings,