Feelin’ It

The Cheng Gong Elementary dance studio.

The Cheng Gong Elementary dance studio.

One of my good friends asked a poignant question about dance breaks the other day. As someone who has taken at least two long breaks from swing dancing, it really got me wondering about my priorities. Last year, I probably spent more on dance weekends and travel than any other expense abroad. For the first time, dance felt limiting, leading me to events where I was rarely asked and others just assumed I was a beginner.

I remember walking into this studio (which won’t be named for privacy’s sake) for a dance weekend, only to be looked up and down by the other follows there. Some commented about my outfit, others about my shoes. That weekend, I neglected to pack my usual swing dance gear, so I was stuck with what I could buy that morning. It was really upsetting, especially since they all seemed to have a swing dance “uniform.” Think Mean (Swing) Girls, decked out in beige Keds, pastel tops, and neutral skirts/pants. Hello animosity outright. Suffice to say, I was a klutz that evening and left the event in tears.

The next day, I had gone home and came back with more comfortable shoes and clothing. Can you believe I got even more scrutiny? Certain people scoffed that I simply had style inspiration from the instructor, laughing about how I made a scene the day before. Of course, not everyone was like this. Many people were kind and forgiving, helping to bandage my hand or introducing me to places nearby. Overall though, I have never felt more alienated by a dance scene.

When you’re not feelin’ it in a community, it influences your dance and even your self-esteem. Was everyone at the event critical of my outfit or skills? Hardly, but the few who did made me want to shrink into the wallpaper. The most dancing I did in this area was alone, in a studio where I worked.

When you’re shedding more tears at a workshop than laughing or practicing, it’s time to take a break. I used to think lindy was my world, and that I would some day accelerate into swing fame. Definitely not the case today, but I left my dreams so reluctantly and with such bitterness, there was a time when I absolutely hated going out to dance. It felt like a chore.

This brings up something that happened recently. At an unnamed location, I had danced with several people. One bystander decided to make fun of me, pointing out my aimless solo jazz on the side as a means to impress his friend. I felt so ashamed and indignant. Even though I had been enjoying myself, I immediately felt left out. After a few songs, I got up and left.

I ended up skipping a week in my routine to go out dancing. It doesn’t feel the same anymore, and I’m not sure that it will ever again. Perhaps I’m past the honeymoon phase, and it’s time to decide whether this whole commitment has been worth it. So much time, energy, and money spent on learning the right moves, only to learn that people can be cruel in any context? I hope not. I’d like to believe that there’s still something human left in all of us.

Perhaps we need safer spaces, places where it’s not about fame anymore but people.

Wishing you happy feet. 🙂

S.

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S.O.S. (Swingout Syndicate) #1

What’s going on in the world wide web of Swing?

  • Sarah Sullivan courageously shared about her assault. Read her amazing writing.
  • When you’re finished with that, read Swungover’s article on safe spaces.
  • Ladies and gentlemen, Sergei Polunin (I know this isn’t swing, but it’s beautiful).

  • Carsie Blanton’s “A Heart Needs a Home
  • You should watch Whiplash to understand the pain of becoming a jazz musician. Phenomenal.
  • Use Yehoodi’s #safespaces to continue the conversation on safety measures taken on your local dance floor. Let’s prevent abuse together.
  • Frankie and Ramona. Enough said. Just watch:

  • Finally, a dancing corgi. Because anyone, and everyone, should dance and NOT BE JUDGED for goodness’ sake.

    Image via destructoid.com

    Image via destructoid.com